Matereality

Mar 22

Written By Kevin Roque

Matereality, a group exhibition curated by Annie Pacaña, not only features her own work but also showcases that of Catalina Africa, Cindy Aquino, Con Cabrera, Pauline Despi, Samantha Feleo, Veronica Lazo, Len-Len, Potti Lesaguis, Masi Oliveria, Jenny Suarez, Gail Vicente, Tanya Villanueva & Olive Villanueva, and Jeona Zoleta.

The exhibition's title, Matereality, is a play on words combining 'mater'(Latin word for mother), 'reality', and 'materiality'. This embodies the curator's intention to challenge the conventional frameworks that confine women's lives, particularly those of mothers, by assembling women artists and expressing their point of views.

The exhibit, Annie Pacaña noted, "tackles themes of work-life-art balance/counterbalance/imbalance that artists who are mothers experience daily."

The exhibition will be on display from March 8 to April 7, 2024, at the Multipurpose Hall, UP Fine Arts Gallery, inviting viewers to immerse themselves in these thought-provoking depictions and stories of women that aim to challenge traditional societal constructs.

Source:

Exhibition notes of Mayumi Hirano, UP Fine Arts Gallery.

Published in University of the Philippines (UP) social media accounts.

Kevin Roque

Utilizing a collage approach in drawing, Kevin Roque offers enigmatic works that touch on societal issues and literary perspectives. Roque graduated with a Bachelor of Fine Arts (Painting) at the University of the Philippines Diliman in 2022. Before this, he was a self-taught artist, creating illustrations and book covers for locally published books. Roque has participated in various group exhibitions in Metro Manila since 2010 and has had solo exhibitions at the Prism Gallery and the Center for Art, New Ventures & Sustainable Development (CANVAS) Gallery. He also joined local artist residencies such as CANVAS Artist in Residence in Batangas and Linangan Art Residency in Cavite. Recently, he got shortlisted for the first SANAG UP Art Prize. Roque has been a member of several artist groups, including the UGATlahi Artist Collective, Ang Ilustrador ng Kabataan (InK), and the Malate Literary Folio.

As a skilled worker who values technical skill and craftsmanship, he uses graphite in drawing to capture the gritty details and nuances of his subjects, making it a powerful storytelling tool to illustrate issues such as inequality, labor conditions, or societal injustices. In his compositions, he seemingly blurs notions of reality and perception. This deliberate blurring of boundaries adds layers of depth and intrigue, inviting viewers to contemplate their fluidity and subjectivity. He also employs visual metaphors, where images stand in for larger ideas or narratives. This allows him to convey complex themes or stories in a condensed and evocative manner.

“In all his works, the referents, whose meanings are culled from history, literature, and present social conditions, are made to exist in the same pictorial plane. Often, what they signify, coincide, collude, and blur. Roque’s inchoate marks and textures also draw attention to a palpable sense of space. Instead of a tabula rasa, one discerns faint and obscure stirrings between and amid more established significations. Roque’s works reveal indications of progressive politics yet veer from direct fervor and incitement of emotions. Without discarding the seriousness of the topic, Roque employs more oblique methods that prod at the surfaces and forms of the nation’s socio-historical and political issues“ (JC Rosette).

Matereality

Passion

Revolutionary Walls: The Activist's Canvas