Indiogenius! Tatlong Alamat ng Tagumpay

Written By Kevin Roque

National Artist for Film Kidlat Tahimik unveiled a monumental exhibition featuring three installation works titled "Indiogenius! Tatlong Alamat ng Tagumpay" on April 23, 2024, at the UP Fine Arts Gallery. His work critically reexamines the enduring influence of colonialism and how colonial powers continue to exert control in our country particularly through media and technology, shaping identities in the process. Tahimik suggests that Filipinos can resist this cultural struggle by drawing upon our own materials, traditions, and narratives such as mythology and folklore.

The exhibit coincides with the approaching 503rd anniversary of the Battle of Mactan, where the Portuguese explorer Ferdinand Magellan was defeated on April 27, 1521, in Cebu. It showcases three installations entitled Bagong Alamat series: "Sagupaan ng Dalawang Bathala ng Hangin: Ifugao Goddess of the Wind Inhabian Blows Down Hollywood Goddess of the Wind Marilyn Monroe", "Tsunami of Protectors Stops Trojan Horse of Hollywood", and "Bulakna (Wife of Lapu-Lapu) Strikes Down Ferdinand Magellan with an Arnis Stick".

During the opening event, Tahimik also presented his work-in-progress film, “Memories of Overdevelopment.” It is about Enrique, a slave bought by Magellan as an interpreter. Towards the end of the program, Tahimik surprised the audience with a performance art, with him asserting artist identity and creative direction free from Western influence.

Source:

Press kit from UP Fine Arts Gallery and artist talk.

Published in University of the Philippines (UP) social media accounts.


Kevin Roque

Utilizing a collage approach in drawing, Kevin Roque offers enigmatic works that touch on societal issues and literary perspectives. Roque graduated with a Bachelor of Fine Arts (Painting) at the University of the Philippines Diliman in 2022. Before this, he was a self-taught artist, creating illustrations and book covers for locally published books. Roque has participated in various group exhibitions in Metro Manila since 2010 and has had solo exhibitions at the Prism Gallery and the Center for Art, New Ventures & Sustainable Development (CANVAS) Gallery. He also joined local artist residencies such as CANVAS Artist in Residence in Batangas and Linangan Art Residency in Cavite. Recently, he got shortlisted for the first SANAG UP Art Prize. Roque has been a member of several artist groups, including the UGATlahi Artist Collective, Ang Ilustrador ng Kabataan (InK), and the Malate Literary Folio.

As a skilled worker who values technical skill and craftsmanship, he uses graphite in drawing to capture the gritty details and nuances of his subjects, making it a powerful storytelling tool to illustrate issues such as inequality, labor conditions, or societal injustices. In his compositions, he seemingly blurs notions of reality and perception. This deliberate blurring of boundaries adds layers of depth and intrigue, inviting viewers to contemplate their fluidity and subjectivity. He also employs visual metaphors, where images stand in for larger ideas or narratives. This allows him to convey complex themes or stories in a condensed and evocative manner.

“In all his works, the referents, whose meanings are culled from history, literature, and present social conditions, are made to exist in the same pictorial plane. Often, what they signify, coincide, collude, and blur. Roque’s inchoate marks and textures also draw attention to a palpable sense of space. Instead of a tabula rasa, one discerns faint and obscure stirrings between and amid more established significations. Roque’s works reveal indications of progressive politics yet veer from direct fervor and incitement of emotions. Without discarding the seriousness of the topic, Roque employs more oblique methods that prod at the surfaces and forms of the nation’s socio-historical and political issues“ (JC Rosette).

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